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Today I found out:
If you write the major scale in columns on paper using two lines
C_D_EF
G_A_BCyou can go forever
C_D_EF
G_A_BC
D_E_F#G
A_B_C#D
E_F#_G#A
B_C#_D#E
….Now this can be used for couple things:
If you start on any line, you can read major scale for that chord. D – DEF#GABC
In first column, you can see the “circle of fifths” (C, G, D, A, …)
If you think chords, first and fourth column will be always major for given scale (C – CFG are major) and second and third will be minor (C – Dm, Em, Am, Bm* – Bm* is actually flat third and flat fifth (vii diminished), but this is used so rarely you can get away without it and needlessly complicates this simple rule of thumb)Writing out these scales is like doing an anti-stress colouring book 🙂
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