Description
In this MicroLesson (ML033) you’ll learn how to play a minor key blues rhythm with fill licks. There are several takeaways in this short lesson that you can use to apply to your rhythm playing.
Free Guitar Lesson
Video Tablature Breakdown
Only available to premium members.
Register for premium access
Register for premium access
You need to be logged in as a premium member to access the tab, MP3 jam tracks, and other assets.
Learn MoreAdd to "My Favorites"
You need to login or register to bookmark/favorite this content.
That is a cool progression! I love the muting and the F#7 to B7 change. And yes it does lend itself to many improvised riffs.
Thanks Brian!
Mike
The F# to the B7, very Beatle-esq…
Another ripper lesson. These rhythm guitar MicroLessons are really helping me lift my rhythm playing. Thanks Brian
I know I am repeating myself,but these rhythm lessons are great. You can do so much with them. Love these micro lessons. Thanks once again.
Great lesson. A little struggle with the muting but I’m getting better with practice.
Thanks Brian
Ray
Another great lesson, Brian. Did not think much of the micro lessons in the beginning, but now I use them a lot in my regular playing. Thanks.
Dick
Yes. I’m feeling the delta mud with this micro lesson. Very nice Brian.
Bryan:
This pattern feels very close to John Lee Hooker’s “Boom Boom”. Am i right, or wrong?
THIS WAS RIGHT UP MY STREET, AND SOUNDED GREAT. PERHAPS I AM GETTING BETTER AFTER ALL!
Hi Brian, Just love your Micro lessons. I’m a songwriter and for me they work the best
Just love this one! nice job (again)!
that’s not a micro lesson, but a Mega lesson ! thanks again
sound great that little CEO 7 Martin..I think you really enjoy that over the AP 70.. you don’t play it anymore! lol.. nice 12 bar 145 minor progression major 7ths all fun SRV style!
I must say the micro lessons really help me believe I will play the guitar (Better). Thanks!
This seems like great clip from which to mine licks 😉
https://www.youtube.com/watch?v=rfdotp8-XP8
Thanks for the great lessons!
Hi Brian, could you explain the appearance of th F# dominant 7 chord in relation to the B minor chord, and why that works so well…
Is it because it is the 5 chord of the key of B ? Does this mean that you can theoretically always through in th 5 chord over the 5 chord?