Description
I’ve had so many Warren Haynes requests lately that I had to try and put together a lesson with some of his signature licks. I was very hesitant to do it at first because he’s such a fantastic guitar player that I wasn’t sure if I could pull something together that did his style any justice. I feel like this is a decent interpretation of his style (although not as much overdrive as he would probably use). I had a great time with this one and will probably create a follow-up if there’s enough interest.
Part 1
Part 2
Only available to premium members.
Register for premium access
Register for premium access
Slow Walk-Through
Only available to premium members.
Register for premium access
Register for premium access
Only available to premium members.
Register for premium access
Register for premium access
Only available to premium members.
Register for premium access
Register for premium access
You need to be logged in as a premium member to access the tab, MP3 jam tracks, and other assets.
Learn MoreAdd to "My Favorites"
You need to login or register to bookmark/favorite this content.
Live.
awesome job thanks
Brian! Soooo sweet this Warren Haynes gem! Can you dig deep in your memory bank and tell me more about the pickups, pedals and/or amp settings to get that beauty of a sound???
I love it. It sounds beautiful and I can’t wait to get this one under my fingers.
Thanks for all of your hard work
Love it! Loads of stuff to lean and to slice ‘n’ dice. Thank you.
Great stuff Brian..your output level is amazing..loved the recent jazz chord progression..invites all sorts of improvisation..mixes really nicely with some Robben Ford moves
Thanks as ever
Paul
Great lesson. The few non pentatonic notes in there are worth the price of admission. Great way to spice up the pentatonic playing and break out of some ruts.
I have never bought a lesson on-line before, but I liked your style so and gave it a shot. Man am I glad I did! Every week you outdo yourself and come up with another great lesson. My guitar playing has taken a giant step forward. Thanks… I’d love more lessons like Warren’s.
Brian,
I’ve enjoyed all your lessons. Need to find a way to practice and review daily things from all your lessons so I don’t forget anything! Thanks
Soothing and lovely playing and lesson Brian. Warren is a remarkable player.
Thanks Brian, I can’t wait to try this tonight
Brian, thanks so much for your hard work and dedication in putting these weekly lessons together. I really love the way you explain the scales and break it down where it’s very understandable. My playing has sky rocketed since becoming a premium member. Thanks!!
Brian,
Love the lesson, and Warren Haynes is one of my favorite players. I have to ask tho…..and at least mostly in fun……. how can you do a Warren sounding lesson on a Tele and not on you’re 335? I can only think of him with his 61 335 “Big Red” or sliding on his LP.. You’re tone is great here…but a little Gibson respect Brian!! Haaa
this is one of my favorite lessons, I feel like I’m getting a handle on playing leads in the major pentatonic scale. thanks Brian!
really enjoyed this lesson Brian… nice and easy to follow and some fun licks… just what i needed cos I was getting a bit disheartened after working on some too challenging stuff.. this lifted my spirits again…good to jam out on a few chords regularly!! thanks for all your hard work… learnt heaps..
Thanks Brian i am in there and loving this one, I cannot leave it alone.
Hello Brian,
As always a great lesson
Great lesson Brian! Love this as a new style for me. Came of age with the Allman Brothers. Lots of fun learning this one!
Really nice, Brian. Melodic, lyrical, almost vocal quality. Looking forward to getting this one under my fingers.
very nice i i will play this today love learning
Love this lesson! I’d really like to see some more Warren Haynes inspired lessons….
Thanks Brain, Going to try this on my ES335.
just beautiful .. I’d close my eyes on listening, were i not so involved with seeing where your fingers are!!
You’ve entered a new realm of ‘bending’ .. seems like you do a mini-melody within one single ‘bend’ .. wow…
” I waNT blisters on my fingers!!” .. tho 9guage helps a lot!
which begs the question: why not 6 gauge?
even if they only last an hour!
Great job Brian,
Love everything about this lesson and your remarkable attitude.
After listening to you a few weeks ago with the Warren lesson, I realized how lucky I am to have you as my weekly mentor taking me slowly to the next level of my playing. I know growth speed is directly related to the amount of practice time I carve out for myself. Also it is following what you are teaching to the best of my ability. Thanks so much and please keep up the fantastic insightful lessons!
Robert
I really love this sound . You did a great job. And I’m actually learning. So excited. Thanks.
Excellent exercise with a mix of legato and string bending and a simple backtrack that’s easy to play. Here’s my vote for more like this one. Definitely!
A question: How does the C chord in the backtrack work in a song in the key of D?
Thanks!
great lesson,want more of this
Beautiful arrangement, tone and playing. Great style.
Some of the most beautiful and soulful playing, ever. I much prefer your transparent overdrive to harsh grit. Magical composition. In my eyes you are truly a remarkable guitarist. Great lesson.
I’m new to the electric guitar world. What are your amp settings for this lesson?
Thanks Brian, great lesson! Got the licks down great, although when I jam to it I keep ending up in this sort of spacey minor place…kind of a grateful dead “we forgot what song we were Playing vibe…actually reminds me of a Phil And friends show I saw with warren Haynes! Anyway, I would definitely be interested in more like this…maybe cover some arpeggios?
more more we want more
This is a great lesson! More please
Great stuff, Brian. Thanks!
Great Brian. Thank you.
More Warren please, maybe Soulshine-ish?
Gorgeous Brian, well done!
I have been a member for almost a year now and I love the lessons. I have learned so much about theory and knowing the basics of keys, chords, scales, etc. I think it would be interesting to throw a few lessons in of popular songs.
It works well using mixolydian D7 and Gmaj scale for a Dreaming fleetwood Mac
Very cool. Might be worth mentioning that most of these patterns are using several inversions of the Cmaj & Dmaj triads. I’ve found that learning inversions really helps open up the fretboard and people can see how the pentatonic scale lays over them. Helps to find lots of diads within the scales as well which Warren uses a lot.
– Cheers