Description
In this week’s guitar lesson, you will learn how to play a slow and easy, melodic lead by visualizing chord shapes in different neck positions. This is a different way of thinking about playing lead, that relies less on scales, instead focusing on the chords themselves.
Part 1 - Free Guitar Lesson
Part 2 - For Premium Members
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Slow Walkthrough
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Video Tablature Breakdown
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Hi Brian The videos are not showing but the jam track has downloaded nicely and sounds wonderful
Same here / no video but I’m sure you’re on it. Thanks Brian
Brian The Soundslice is fully functional but the videos are still just script titles ony. On my second and third run through now I would ask is the the most beautiful tune on the site? Its utterly fantastic in my thinking Brilliant.
well i forgot to add them – duhhhh! lol – fixed now
Certainly can’t get anything past that observant guitar loving Brit, Brian!! You should know this by now…….
:>)
Jim C.
Same thing here
More like this, thanks!
JohnStrat, thanks. I thought I was confused but now agree that videos just did not show. All lessons are good and looking forward to this one too.
I’m amazed by your ability to present these wonderful compositions weekly.
Brian, thank you for your dedication and sharing these musical inspirations.
Six string acoustic + flat pick + lazy front porch blues = a happy week of learning a great tune.
Many thanks Brian.
Excellent.
Wow! Haven’t seen the CEO7 for awhile. Good to hear it gettin some love. Perfect timing for an acoustic lesson. There may be more rolling blackouts here in So Cal this weekend. I love these lessons that help visualize chord shapes in different positions. Thanks Brian, you are the best, most creative teacher on the planet!
Fantastic lesson here, Brian! Beautifully orchestrated with so many take aways… I cannot wait to dive into it over the weekend.
I really appreciate the explanation of where the chords come from, helps me understand so much music when I see a chord outside the primary key…thx
I also like your explanation at the beginning of why the A7 chord is in the progression and not the A7m (which would be in the chord family of G). It’s because the previous chord E is the V chord of A, as you nicely explain. But: why is the E major chord in there and not the Em? Since the song is in G, you would expect the vi chord of the G-family to be a minor chord, wouldn’t you?
you can stack secondary dominants…the E is the secondary dominant of the A, the A is the secondary dominant of the D, and the D is the dominant of the G…
Hi Brian, Just to say what a beautiful tune, and clear professional approach to understanding of this lesson, Thank You.
Myra.
Hi Brian really like this. The little run you did, in the sort of minor sounding scale, that you said you don’t remember where it came from, could it be something from D”Jango Rhinehart?
That’s a very pretty melody Brian. Really impressed with how you keep coming up with great examples..
Thanks Brian. What a gorgeous melody. This fits in with what I have been tryin to incorporate into my playing.
a very helpfull lesson,It reminds me on EP280.Less fingeracrobatic,Everything slides into the next…Thanks Brian.
I have to agree, what a Beautiful Melody. I thought, wow, I have to learn this one. Another one in my Favorites. You always make our week Brian. With a world gone crazy, especially here in Melbourne at the moment, you bring a little sanity back to us. Thank You very much.
Hi Brian, I’ve developed a love for this way of playing after being introduced to it over the years. Thank you – fantastic.
Brian,
I would put this lesson in the category of guitar fundamentals and take aways. The different ways to imply chords with diads and the transitions between the diads are fantastic.
John
Brian,
I think you were right about that lick being E harmonic minor. You played a B7 followed by an E minor. I think that’s briefly putting you in the key of E minor but with a dominant V chord, so the E minor harmonic would fit perfectly.
John
I’m not sure what it is you are trying to explain but I think I have to do some more book learning. LOL Keep posting. I’ll catch up.
Great lesson Brian and another pleasant melody to learn it by.
Thanks
Ray P
I too have a CEO-7 and, more than with any other guitar, have struggled to find strings that I like on it. What brand of strings did you put on yours?
I’m so impressed at how great you really are Brian. Last week lesson was killer and then you come back with This amazing tune. My eyes are all blurry from all the practicing. Ha ha.
Thanks for making Covid tolerable.
I agree that the past 20 or so lessons have been so enjoyable. It’s fun, it’s musical. It’s also getting easier and faster for me to pick up and play the tunes, which I try to split into a melody and rhythm blend so I can extend a 1 minute to 2 minute segment into a 3 to 5 minute version….without repeating the same thing over and over.
I’ve kind of intuitively been doing this for a while now, so it’s nice to see it all carved in stone. Of course, the key to it all is to knuckle down and learn all those alternative chord voicings (the dreaded CAGED system).
Is it only though the CAGED system or is it taking the chords in each song and finding the same chords played in each section of the neck? I don’t have an answer to my own question. Just wondering. For example, there’s usually an open position, something around the 3rd to 5th fret, then 5th to 7th, 9th to 10th and maybe squeeze something in at the 11th to 13th but it’s really squeezy up that high.
Im interested in seeing an answer to this question myself………….
Brain,
Many thanks for another great lesson. 🙂
Thanks, I love that
In addition to Brian’s September 4, 2020 lesson, EP377, the following are also “eye-openers” – using chord shapes:
EP 156 Play Lead Using Different Chord Shapes Key of E
EP 199 Chord Shapes, Triads and Embellishments Key of A
EP 320 Rhythm & Lead Fills Using Chord Shapes Key of G
Would like to see a lesson on improvising over a standard tune like Sweet Georgia Brown.
It’s the same process – just work out the chords of Sweet Georgia Brown and the key you want it in, and follow the same principles from this lesson.
Brian, I learn something from every lesson, even those that are not my favorite style of music. I especially like more melodic tunes like this. Thanks I look forward to some chord melody.
Hey Brian, the more I play this the more I really enjoy it. I got the first half sorted, now for the second! You are correct I am learning the chord shapes all over the neck. It is a pretty straightforward waltz and great practice, but it is so lyrical. Thanks for this, as always.
This lesson has so highlighted to me the connection of the melody to the chords, something Brian has been at pains to get through to us. Somehow this makes it so clear. It is the culmination of some inspired teaching especially lately. I think the importance of learning the notes of each string and practicing major scales has also helped me. I am greatly enjoying it and benefiting so much. Thanks
I agree.
Hi Brian, Very beautiful song. Thank you for sharing your wisdom.
Hi Brian,
Thanks again, these last weeks were tremendous, I really understand how and “why” to play the guitar.
But this week, wouah! I agree with what JohnStrat says, its the most beautifu melody of this “site”. That explain why when you are listening to Neil Young or Pink Floyd, all melodies seem so “evident” (french word, I don’t get the english word, but hope its understable).
Brian, I have learned so much from your lessons. There is so much to take away from this one and it is so rewarding to learn how to play such a beautiful melody. I’m sure we would all agree that you are simply the best guitar instructor on the entire internet. That is not hyperbole, it is the truth. I am grateful for having discovered AM.
Hi Brian.
This has got to be one of the prettiest tunes you have ever composed ! I speak as someone who has been with your Site since lesson 042! I absolutely love this piece, and will really enjoy learning it! As an Englishman, I can use the phrase, “Just my Cup of Tea!” Also, the tone you get from that Martin is something very, very Special !
Thanks Brian, more of of the same please.
Kind regards.
Countryman.
Curious what’s happening here in terms of scales? Would be major unlock for me to understand. Thank you
Brian, you have opened another door for my playing! I have wanted to understand this for so long and you just clarified it for me! Awesome lesson!
Dave Delisio
Boise, Idaho
I really love this lesson and love that there is a lot of scope for changing little bits of it as I go and the chromatic runs are to die for. On this lesson I accidentally discovered how to use Soundslice to repeat selected parts so it makes memorising much easier.
Lot’s of good lessons from Brian, but this was an especially good one … thoughtful, musical AND informative. Huzzah, Brian.
I’ve been thinking about the know the chords up and down the neck, connecting chords, major and minor pent scales, and playing some chord changes with a melody line, combined with the ability to rub my belly and pat myself on the head, musically speaking of course.
I would tend to agree that I’d have a heck of a good start on becoming a decent guitar player.
..
Actually, it better be true because that’s what I’m learning from you!!
Thanks for sharing your ability to just play guitar without all the gobbily-gook that some online course throw out there. Your style reminds me of many a night, back in the 60s and 70s, hanging out with the other players. Just making music.
At the age 83, after 6 years of trying, this lesson has given me hope!!
Hey Brian,
Short timer, BIG FAN! Love your weekly lessons, your teaching style is perfect for me!! A question/favor… On the download tablature PDF file, is there any way you can increase the font size of the individual note fret numbers? I typically print it off and (retired guy, older eyes) I really need to squint to see the number. Thanks for your lessons, I look forward to them every week!
Jay B
I print it using POSTER in the PDF print dialog. That allows me to tape together 2 pages and wide and usually 4 pages hihgh as a single, complete lesson or song. No more squinting and I can look at it without breaking stride as I can see “ahead” a bit.
Thanks David, Good suggestion. I’ve poked around a little and see that I need to use a laptop with full Adobe Reader print driver features, rather than my iPad. Nonetheless, it’s a good suggestion and I’ll give it a try…
Another great lesson Brian. I can feel my playing is improving by the week with your help. Just one nitpick. On part 2 at about 7.50 I’m sure the scale used is in D major not A major.
HI Brian, this was a great lesson of a beautiful song. I rarely play barre chords, and this lesson implemented the types and shapes i utilize in me playing throught the neck. Your statemnet of learning chords in different positions on the neck, spot on!!! makes playing so much easier and nicer for diffderent voicing of the same chords.
Hi Brian,
Love this, but can’t download jam track, it just plays when you click download MP3.
There’s a jam track? Try clicking on it and choose “save as” maybe?
oops, I meant “save link as”
Love it! Feels a bit like gipsy jazz to me, but slower. It’s on my repertoire now, thanks! More like this, please 🙂
I really like this style of playing. It reminds me a little of a Mills Brothers tune.
“Up a Lazy River,” for example
Thank you Brian, another great lesson and great teachering.
A little confused here. You go through the G – E7 – A7 – D7 the first time. That’s clear. Then you go back to G. I’m expecting E7 next, but you go to that D7 (C shape), and say, “That’s how we turn it around.” So, it’s 1 – 6 – 2 – 4, then 1 – 4 (for a turn around), and then back to 1 – 6 – 2 – 4? Is that correct?
Oops. All those 4’s I meant to be 5’s.
OK. Somehow I managed to get this tune down. It only took me two weeks.
I’m gettin’ nervous! The music is actually starting to make sense. Never had this happen and I’m at it over 50 years. Thanx Brian you make it all work!