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Learn to play blues guitar.

Learn to play lead over the chord changes in a Western Swing style composition – Online Guitar Lessons – EP304

Description

In this week’s guitar lesson, you’ll learn how to play lead by playing the chord changes over a Western Swing Style Rhythm. These licks work nice over country, blues, or even rock – once you understand the principles being demonstrated you can start playing over any chord progression in any style of music.

Part 1 - Free Guitar Lesson

Part 2 - For Premium Members

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Slow Walk-Through

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Video Tablature Breakdown

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Comments

      • To each his own on a ‘cup of tea’ but you will find few, if any, other websites that offer the variety of musical styles as this one. Have to believe that this lesson is very applicable to any musical style since they all use the same twelve notes and chords – just simply express them in different manners.

    • David – Brian isn’t your personal guitar teacher…If you want to only focus on things that resonate with you immediately, you can hire a guitar teacher. Otherwise, please don’t use this forum to post negative comments or to let us know what you personally like or don’t like – frankly, none of us are interested…

      Brian teaches “concepts” that are broadly applicable to anybody’s growth and development as a guitarist. He’s pretty f’ing masterful at that and offers this to you at no cost, or nominal cost as a premium member..

    • Like your teaching style as you actually learn something each lesson even for this thick old head. Not to interested in memorizing songs so glad you don’t have to deal with all the copyright traps. Thanks

    • Can’t wait to dig into this! Looks like a lot of take aways.

      The last two lessons have been refreshing changes. Maybe some bluegrass in the future, it has been awhile!

      There are several lessons that aren’t exactly my musical taste, but I always get something from them.
      Thank you for being so versatile with styles and skill levels. It’s tough to please us all, you do a great job.

  5. Funny, I never feel like this type of music is my bag but after going through the lesson I always find that I’ve learned something useful. Thanks for helping me to think out of my bubble. Nice guitar!

  9. Diolch, thank you Brian.
    As always, a composition full of technique and ‘takeaways’.

    As a Classic Rock and Metal player,
    it is refreshing to journey with you into Blues, Jazz and the like..

    Thank you again for the time and effort you put into making Friday such a special day!
    Gary, Wales UK

  10. ps. interesting guitar

    Always nice to see you take time out to talk about the instruments.

    Very disappointed to read some earlier negative comments.

    As always, a rock solid composition, brilliantly presented, full of useful takeaways..
    Thank you Brian

  15. Great one again Brian!! so many great tips and takeaways.

    I believe the variety of styles you give us will make us more

    well rounded musicians. The negative comments are very

    puzzling though!! Keep up the great work.

  16. Hi Brian! Just watched the first half and really enjoy the theory that puts notes, phrases and chords together. Great practice coming up for me this afternoon. I happen to love all genres of music from Bach to Pearl Jam. Thanks for your site, it’s a great place to learn.

  17. Another great lesson with lots of good take a ways Brian. It never ceases to amaze me that no matter where you go there’s always the nay-sayers. Please keep mixing it up with all styles of guitar playing, it keeps your lessons fresh, interesting and well balanced.

    Thanks
    Ray

  18. Hello Brian

    I just wanted to say that having been been a member for a couple of years now that my playing has improved immeasurably thanks to your lessons. This latest one is of your usual very high standard if I may say so and there is a lot to take from it.

    I only have a battered old acoustic and I simply cannot justify the expense of buying an electric guitar etc.. at the moment so stand alone lessons ‘unplugged ‘ as it were are the ones that I really value. However, call me old fashioned but I always felt that it was important to try to master an acoustic before using on an electric guitar because it requires more effort.

    Once again, this is a superb site and I continue to derive massive pleasure and satisfaction from being able to play so much better thanks to your lessons.

  21. Its funny how different kinds of music can work for some and not for others. This is a miss for me, though I do appreciate that others will love it. Maybe country music just aint for me. Thanks brian. I also appeciate the diversity (its like a box of chocolates……..) and enjoy all you country lovers.

  24. Wow, so many take away’s again Brian.! Thanks.
    Although at first, Western swing would not be something I’d listen to, there is so much transferable in there as you explain. ( recognizing and moving the harmonized 3rds, the great lick from Jerry Garcia).
    Could you consider a lesson (a micro lesson?) on the rhythm used in the backing track? I hear a number of interesting walk ups/downs. And I have trouble understanding and hearing the time signature of this Western swing (the two 16th notes sounding like a quarter and 16th) that I would certainly like to hear more about. I would like to figure it out to put into a looper for a longer use than your backing track. Thanks.

  25. A lot of GOOD take a ways in this lesson. Light bulbs going off every where. I Like the Gibson, not a big P90 fan but this one the way you have it set makes me appreciate the p90 a little more.

  27. Not only “how” to play the lessons, but also “why” to play it in a certain way, big fan of all your lessons, nice job! CAGED system is indeed THE key to play better guitar, for sure, and every style has his advantages to expand and to develop the guitar playing.
    Nice to see Brian how you still grow and improve in teaching and making your lessons. Thx!!
    One little question: is it possible to finish the mp3 tracks with and “ending” chord, so we can use it als a real backing track?
    Greetings from Belgium!

  28. Excellent lesson on so many levels Brian. The sliding 6th’s, linking the licks to the caged system, and linking the pentatonics to the caged shapes — all very useful materials. I work your lessons by key and find that this reinforces the shapes and helps me link my rhythm and lead playing. I use the archive and focus on a particular key on a particular day. This system has helped me really link my leads to chord shapes and has enhanced my fretboard knowledge. I have gained so much knowledge from working with your site. I find that certain themes or pattern re -emerge as I work through the lessons. This has really helped me to develop my own voice on the instrument. Equally of value are the lessons which encourage the player to lay back and play just what is needed. The right note at the right time is crucial or perhaps even silence where need be. Revisiting lessons regularly allows a person to pick up even more that the first time through. I have been playing for decades and am still learning tons! Keep up the great work !

  29. Wonderful. This lesson and arrangement helped me break on through (omage to J.M.) to a new level of guitar playing. I too need some instruction on ending chords to complete the arrangements.

  31. Hi Brian,

    It is my cup of tea. What a fine job! Seems to me all is in this lesson. For who do to like this kinda music, try to get in deep you’ll see a lot of roots of different styles.
    Thanks Brian, really good time with that.

    André;

  33. I recently watched a video tribute for Chet Atkins and they said he tried to learn from all styles of music! Need I say more about his virtuosity! This is what your site provides and I love it! Love that you not only teach how to play it, but also you give valuable insight to use in other songs! You don’t just feed us the notes, but give us the recipe and ingredients!

    Thanks you Brian

  36. second day for couple hrs before work,, really cool licks ,,double stops with chromatic runs into some cool triads.. for such a small lesson,,there is a lot of great take a ways in this ( as with all your lessons ) ,, enjoy and thanks Brian!

  38. Hi Brian,

    Thank you so much for all of your lessons…the takeaways you provide are exactly what I need to apply to my playing.
    Your site has helped me so much – I keep singing your praises to other guitar friends. Trying to be on your marketing team!

    I bumped into the same head scratcher that Jeremy F had above. I don’t tend to dwell on the theory, but thought I was finally snapping together the key structure of songs. I guess I would have looked at this song and thought it was in the key of E (with the F# being the “2”)… is there a way to explain what I’m missing without making me a music major? 🙂

  44. Brian,
    As the ES is a basically acoustic w/ a pickup I was wondering if you put electric or acoustic 13’s on that baby? I have electric 10’s on mine and the “G” string resonates/feedsback pretty bad when plugged in. I have read where that is a common issue with this model.
    regards…

  48. When i first joined my like of music was very narrow and now i can see how naive i have been i love western swing now there is value in all styles for sure . On first hearing this number it reminded of the amazing Chet and Knopfler duet . Great lesson

  49. Brian, Never knew much about Western Swing but after hearing all the different chords and changes this is a great learning tool for all varieties of music Keep up the good work.Happy Easter and good teaching.Keep it up David

  50. Hey Brian I loved Chet Atcins ( sorry if I spelled his name wrong ) as a kid , this isn’t the same but it sure put me there, thank you . Also real dumb question , where did you get that tee shirt , I want one . Thanks again for the lessons , best money I have ever spent !

  51. Just what I was looking for. I’ve been trying to figure out how to follow chord changes on my own. Very helpful to see how you do it. You said you didn’t want to get into theory, etc and I was wondering when you are composing if you do what sounds good or go for theory?
    want to see more.

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