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Learn to play blues guitar.

Funky Minor Key Blues Guitar Lesson – Ideas for Playing “Outside The Box” – EP294

Description

In this week’s guitar lesson, you’ll learn how to spice up your rhythm and lead in a funky, minor key blues composition by learning to play “outside the box” (which means including something unexpected). This is much more common in jazz, but sounds just as good in the blues.

Part 1 - Free Guitar Lesson

Part 2 - For Premium Members

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Slow Walk-Through

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Video Tablature Breakdown

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Comments

  3. Love the funk/jazz/blues feel to this. Thanks a lot Brian.

    By the way, you said the song is in the key A minor with the chords Am/D/E or i/IV/V. This works well, but the IV chord being major is a departure from rule that says, in a song in a minor key, the I chord will be minor, the IV chord will be minor, and the V chord can be minor or major. Is there some sort of guiding principle for departing from the rule, or is it okay to depart from it as long as it sounds good ? And, even though the song departs from the rule that the IV chord be minor, does it still qualify as being in the minor key, simply because the 1 chord is minor? Hope you get my drift.

    Rick

    • Rick,
      I don’t think it’s really in one key to begin with because of the D7 and the E7. It sounds like a funky variation on a major blues that you are playing a minor pentatonic over with the added out of the box licks.
      John

    • It is quite common for chords to be ‘borrowed’ from parallel scales, i.e. Amajor and Aminor being parallel scales (same tonic), so the IV chord from the major scale can be borrowed/substituted for the iv chord in the minor scale (in this piece using the dominant). A google search on ‘borrowed chords’ is recommended.

    • At 23:47 you can just make out that Brian is on the bridge pick up. Brian usually rolls off some of the guitar volume and he might have rolled off some treble but the control knobs are never visible in either video.
      John

  8. Brian
    A very useful lesson and seeing I have a pristine ES347 on the way it could not be better lesson for me. There are lots of goodies here as you point out basically simple and yet such an effective style. Great JohnStrat

  9. Brian,
    I became a premium member again after a good sized layoff. It’s great to be back and learning from you again.
    I’m also learning keyboard on the side (trying too anyhow) in the hopes of someday being able to create pieces of music utilizing both guitar and piano.
    Loved this lesson by the way and keep up the good work.

  10. Cool out of the box sound, Brian. Inspired me to pull out my 335. I sometimes forget what a great blues guitar it is. Love the mix of rhythm and lead. I know I neglect rhythm far too much.
    John

  11. My wife and I are retired and live in rural costa Rica. We both have acoustic guitars and are struggling to become intermediate players with your help. I am 71 years old and have been playing for almost two years (previous experience only thumping on bass in a basement band). I am giving you a” like” as you request, but that does not begin express my admiration and gratitude. Stylistically, technically and in communication your learning program is the absolute best. You have made friday an exciting day for me. I like the more relaxed and intimate background with your pug on the couch. I hope that has not gone away. EP277 and todays lesson with two awesome single string riffs were especially enjoyable. Glenn

  18. I just joined as a member because of the techniques you use. I hate full bar cords an I am terrible at them. I could play everything in the lesson some areas I need practice. Love the D7 chord, haha. Great lesson I learned a lot cant wait to learn more. really enjoyed it. I love the style of music in the lessons. DONT CHANGE. haha……. Rich, from Charleston SC

  22. Hello Brian,

    I have a question about the tab files.
    It seems to me they are made with Guitar Pro, is this right?
    And if so, would it be possible that you provide the GPX files?

    Many thanks
    Laura

  24. Love the outside stuff. Maybe do something with some diminished or other way out kind of chords and take us far out for a bit. Lets get down right destructive, melodically speaking that is.
    I cant practice enough
    thanks for the continuous creative insperation

  29. wow! There you go again!!!!..

    in part one ..that rythm using the slide into the D7 and then the walk dow/slide into the D is awesome..I just played it in a 1-4 -5 pattern for abouta half and made a song using it .love it

  32. Really enjoy learning this, makes me want to ask you if you could go all out on a funky groove, like tower of power or something in that vain. I have always wanted to play like that and don’t know how that great sound is played on guitar. Since I am at it, is there a ragtime lesson in your treasure chest of tutorials and if not please take us there.
    My gratitude knows no bounds, playing 40 years now and I have finally found the missing piece. Your guitar instructions and alot of work more like drilling holes in concrete it seems but it is happening.

  33. The rhythm in the first 12 bars is pretty easy, however the timing of the lead in the last twelve is difficult. I think I need to study the sheet music to get the timing right. This is difficult for me, because I am vision impaired and I have to magnify it. I have to look at each bar separately and memorise it. I have been playing the guitar off and on for 60 years and used to be able to read music pretty well, but now I usually play by ear. I have the music to Chet Atkins “Windy and Warm” which I am trying to learn finger style. I used to learn classical guitar about 40 years ago. I have a few of Chet Atkins arrangements and I can play his version of “Hey Good Looking and Tennessee Waltz.” I play with a friend at nursing homes on the Central Coast of NSW Australia. I have used a couple of your tunes,; one of which is WP130 which I have called “The Antiques Roadshow Blues”. I hope this is okay with you. Please let me know if it is not.

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