Home › Forums › [NEW] Lightbulb Moments › ML151 Picking Patterns
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Norbert.
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September 17, 2026 at 4:06 pm #422455
A policeman sees a drunken man crawling around under a streetlamp, obviously looking for something.
“What have you lost?” the policeman asks.
“My key,” says the man.
The policeman starts helping him search. After a while, they still haven’t found it.
“Are you sure you lost it here?” the policeman asks.
“No,” says the drunk. “I lost it over there.”
“Then why are you looking here?”
“Because the light is better here.”
*Freely adapted from Paul Watzlawick, The Situation Is Hopeless, But Not Serious: The Pursuit of Unhappiness (1983), chapter “The Lost Key, or ‘More of the Same’.”*
I had been looking for tabs. Several (AM) “policemen” tried to help me. (A big thank-you to all of them!)
So how did I finally find the right tabs?
I took another look at the PDF Brian had posted online — and realized that I simply hadn’t been looking properly.
Those who can read — and actually look — clearly have an advantage. :)))
What really helped me was putting together all the tips from the AM community, taking another careful look at Brian’s tabs, and counting along for myself according to his notation:
“And 2 and 3, 3, mute, mute, 5, mute, mute …” and so on.
It’s not that easy to hear every single muted stroke in Brian’s MP4 video — or in Michael’s, for that matter. At least not for me, even when I slowed the video down.
So the solution for me was: take another look at what I had thought was simply a sequence of chords — and count.
Because rhythm is something I can (actually) do … :)))
Apparently, unlike Watzlawick’s drunk, I had been looking under the right lamp all along — I just hadn’t looked closely enough.
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September 17, 2026 at 4:15 pm #422456
That was an interesting way to put in Norbert. I’m glad you are seeing the light.
Root note patterns >>> CAGED shapes >>> TRIAD'S. Just put in the work and watch your guitar skills soar.
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September 17, 2026 at 4:22 pm #422457
Trying to transcribe your video in Guitar Pro — and not quite getting all those mutes right — finally sent me back to Brian’s notation with all those xxxxx. 😉
Thanks again, Michael
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