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The least notes you can use to play a song?

Home › Forums › Guitar Techniques and General Discussions › The least notes you can use to play a song?

  • This topic has 4 replies, 4 voices, and was last updated 2 years, 3 months ago by carmar.
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    • May 10, 2023 at 7:06 pm #343080
      sunjamr
      Participant

        I’m just thinking: Considering that the May Challenge is to play a “less is more” song that has as few notes as possible, I began to wonder, how many notes does it take to play the melody line of a standard 1, 4, 5 chord song? A quick noodle analysis on my fretboard reminded me that no single note can be played that will sound good on all 3 chords. Two notes is pretty easy, though. You can play the root note on the 1 and 3 chords, then drop the note down one fret for the 4 chord. Voila, two notes only one fret apart. And yet, there is a song by Carlos Jobim called “One Note Samba”, so I listened to it with a critical ear. The truth is, it should be named “Two Note Samba” because there is a second note when the 4 chord rolls around. So one way around this dilemma is to play something that lacks a 4 chord. Either a one-chord song, or a 2-chord that avoids the 4 chord.

        Then I started Googling “songs that have the least notes in the melody”, and up came some interesting suggestions. “Losing My Religion” by REM, “Mary Had a Little Lamb”, “Tom’s Diner” by Suzanne Vega, “Everyday People” by Sly and the Family Stone.

        Do you know of any interesting songs with minimal notes in the melody line?

        Sunjamr Steve

      • May 11, 2023 at 2:28 am #343093
        carmar
        Participant

          Does the Thrill Has Gone fit in your question?

        • May 11, 2023 at 4:07 am #343097
          Jean-Michel G
          Participant

            The famous “Boléro” by Maurice Ravel?

            As for the minimum number of notes for a I, IV, V progression, it depends on how much tension you are willing to admit. In C major, you could use a D note on all three chords, for example. That would result in a Cadd9, F6 and G chord. If you take A, you get C6, F and Gadd9.

          • May 11, 2023 at 10:47 am #343105
            Richard W
            Participant

              First thing I thought of was One Note Samba when I saw the thread title.

              The beginning of the sax solo on Van Morrison’s “Crazy Face” is a great example of the tension that can be built by hanging on a single note throughout a series of chord changes. Gotta resolve it at some point though 😆

            • May 12, 2023 at 7:38 am #343136
              carmar
              Participant

                Funny enough you can have songs with just one chord, ask Bo Diddley

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