Home › Forums › Music Theory › MAGNOLIA DI J.J. CALE
Tagged: #magnolia #jjcale
- This topic has 7 replies, 4 voices, and was last updated 5 years ago by
Billy.
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September 20, 2020 at 3:40 pm #192328
I was listening and then I started playing Magnolia by J.J. Cale, Very simple chords Fmaj7 ~ Cmaj7 ~ the whole piece … then in the cut Am ~ G then back to Fmaj7 ~ Cmaj7. I am literally fascinated by this simple piece in its harmonic structure but JJ Cale made it a masterpiece, a beautiful piece. I wanted to know which scales can be played apart from the F LIDIA scale and the A EOLIA minor scale? Thank you
Carlo Laezza
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September 20, 2020 at 3:48 pm #192329
Dave showcased a fantastic rendition of this around the Start of the year, personally I think Daves version is head and shoulders better than the original. Yeah, you have the chord sequence correct..
..Billy..
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September 20, 2020 at 4:00 pm #192331
Billy do you remember the lesson number ??
Carlo Laezza
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September 20, 2020 at 5:47 pm #192341
Hi Carlo, it wasn’t a lesson, I’ll go see if I can track down Dave’s showcase
..Billy..
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September 20, 2020 at 5:54 pm #192343
Here you go Carlo, give your ears a musical treat https://www.activemelody.com/forums/topic/magnolia-jj-cale-cover/
..Billy..
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September 20, 2020 at 7:27 pm #192349
Hi Billy just seen this must have missed it first time round. Certainly worth the link.
Thanks for posting.
JohnStrat-
September 21, 2020 at 3:15 am #192383
You have surprised me John, I thought all us old timers had heard Dave’s Magnolia, Personally I think it is one of if not the best covers anyone has done on AM.
..Billy..
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September 20, 2020 at 11:19 pm #192366
The chords are all part of C major, so that’s an obvious choice for a scale.
Messing around with it, it sounded really good to but in the Bb over the C chord, and the Eb over the F chord, treating them for the solo like dominant chords instead of major7s.
So you might thing C mixolydian on the C chord. Or think maybe of a C minor blues scale.
Another interesting reduction is the E minor pentatonic. It all works, but they aren’t exactly the common tones you would hear.
On the G Am section, it sounds like a shift to a minor, which is not much of a shift. I would mostly just try to emphasize the chord tones here. You could play with any of the A minor scales, but natural minor fits the easiest.
(None of this is stuff that I think about when soloing. But sometimes I mess with those sorts of restrictions when practicing, to help me hear a certain sound.)
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